My wife and I went over to a friend's house Sunday night to watch the 82nd Academy Awards. It was the first time we had planned an evening around watching the Oscar's, or any other awards show for that matter. I guess that means we're getting old. As is custom with these sorts of things, we all filled out ballots to see how many of the categories we could predict correctly. But I'll get to that later. Here are some notes I took down during the telecast:
- I felt particularly prepared for this Oscar telecast. Not only had we seen all 10 movies nominated for Best Picture (see my brief thoughts on them here), but we had seen many of the other movies that were nominated for Academy Awards, including Julie & Julia, Coraline (which we actually watched just a couple of hours before leaving for my friends house), Harry Potter & The Half-Blood Prince, Star Trek & Transformers: Revenge of the Fallen. But there were still a few we missed that I was putting in my mental queue throughout the night: The Messenger, Crazy Heart, In The Loop, A Single Man, The Secret of the Kells and The Princess & The Frog.
- Speaking of those last two animated movies, I want to see them chiefly to see how it is possible that those two movies were nominated over Cloudy With a Chance of Meatballs, which I thought was phenomenal. The other real big snub to me was Sam Rockwell being left off Best Actor in favor of Morgan Freeman. I didn't see Invictus, but by all accounts it was a) not a good movie and b) Freeman's role wasn't a dominant one. Certainly, it had to have been less dominant than Rockwell's in Moon.
- Carey Mulligan: shoulder-length brown hair > short blond hair, but she's still a stunner either way. And in a bit of an upset, she was at least as attractive, if not more, than Zoe Saldana. Although I think a lot of that had to due with Saldana's dress, which was sort of strange.
- When I first saw Neil Patrick Harris come out on stage, I was thinking, 'Really? Him again?' But he actually did a marvelous job.
- I didn't get the Meryl Streep Hitler memorabilia joke, but I'd like to. Someone help me out with that.
- I thought it was funny how they made deliberate attempts to keep young people invested in the show, both with the jokes in the opening comedy routine from Steve Martin and Alec Baldwin, and then later with the horror montage and by having Taylor Lautner present an award. The funnies Lautner moment though was when they showed him during the touching John Hughes tribute, and he had that "Who the hell is John Hughes?" look on his face. Ah, youth.
- I loved the fact that the guys from Up were wearing the grape soda pins. It's the little things like that that keep Pixar on top year after year.
- I still don't understand why Joe Montana is endorsing Skechers.
- For all the talk of shortening the program, the night was an epic fail from ABC in terms of keeping it in the allotted time. 57 minutes into the telecast only four awards had been handed out. At that point, they rattled off a number of the less popular awards, but it really shouldn't have taken 57 minutes to do four awards. And while steps like adding a backstage cam for extra thank yous and eliminating the best original song performances were a nice idea, they seemed to make up for it with the extra musical number by NPH, the interpretative dance, the extra opening joke time for Martin & Baldwin (I can't call it a monologue because there was two of them. What do you call that?), the Paranormal Activity skit and the horror montage. Some of that was fun to watch, particularly the opening bits, but, I mean don't they have rehearsals for these things? It's unfathomable to me that you could run 32 minutes over by accident. And while maybe that wouldn't have been a big deal a few years back, we now live in the DVR world. At my friend's house, we had to stop watching on two separate occasions in order to go live and tape the next program so that we didn't miss anything that was happening. Not only was that annoying but we also messed up and had one of the awards spoiled for us. Thanks, ABC.
- I can't tell what delighted me more, that women interrupting during the Music From Prudence acceptance speech, or the fact that "Kanye'd" is now part of our lexicon. I think the latter, mainly because I feel bad for the director after reading a little about why that happened, but I still like saying "Kanye'd."
- Charlize Theron could have easily played the "huge b*tch" role in Deuce Bigalow. She's just so tall. And the massive bulls eyes on her boobies weren't helping the matter. (And yes, in case you're wondering, I did just work in a Deuce Bigalow reference into my Oscar post. Boo yah!)
- My friend was very impressed with Demi Moore's outfit until they panned to her feet, and she decried Moore's "stripper shoes." I felt like that had to be mentioned.
- Can we stop pretending that Kristen Stewart is attractive? Because she's definitely not.
- There is a little known rule that whenever dancers are present at an awards show Jennifer Lopez has to be there to either present them or be shown in the crowd during their performance.
- I thought it was interesting that they had Gerard Butler and Bradley Cooper present the award for Best Visual Effects. The Academy knew they had to find a way to keep women invested during the geeky Best Visual Effects award, and they scored big time with that presenting duo. Both my wife and our friend (who's a girl) thoroughly approved. As did I (wink)!
- It was kind of cool that they had people related to the director or lead actor in some way presenting the clips for Best Picture. Right up until they had Jason Bateman present for Up In The Air. Then it was no longer clever, since he was actually in that movie. They couldn't find Jennifer Garner, Ellen Page, Michael Cera, Katie Holmes, J.K. Simmons, Aaron Eckhart or one of Jason Reitman's other previous stars do that clip? Or someone tangential to Clooney, like Brad Pitt or Matt Damon? That just seemed weird that they would go to all that trouble with the other nine movies, and then not with Up In The Air.
- The funniest line of the night outside of the opening comedy routine had to be when Juan Jose Campanella, the director of El Secreto de Sus Ojos quipped, "I'm just glad they didn't consider Na'vi a foreign language."
- Julianne Moore is underrated. Morgan Freeman looked drunk.
- What a ride for Gabourey Sidibe, nominated for Best Actress in her first-ever role, and at the Oscar's she was introduced by Oprah Winfrey, who also was nominated for an Oscar in her first-ever role (though it was for Best Supporting Actress).
- The Best Speech of the night came down to three people - Mo'Nique, Michael Giacchino (who won for Best Original Score in Up) and Sandra Bullock. It was almost a tie between the latter two, and only because they chose different directions with their speech. Both were very touching, but for different reasons. Bullock went the traditional route, thanking those close to her, including her mom. Meanwhile, Giacchino's message to young people that they pursue their dreams no matter what anyone says was very uplifting as well. But Bullock's speech also had lesbian jokes, so she wins.
- You knew that Kathryn Bigelow had won Best Director the moment Barbara Streisand's name was announced. There was literally no other reason for her to be there. She hasn't appeared in a movie since Meet The Fockers in 2004.
- I think that I have a hard time getting worked up over the incredibly political decisions that the Academy makes these days. They're pretty predictable. On the one hand, you have a movie that literally made a billion dollars, and has already been so influential that at least two movies that were slated to be released less than six months after it were converted to 3D in post-production (Alice in Wonderland and Clash of the Titans). Avatar is literally a movie that may wind up saving the movie business and boosting television sales as well. On the other hand, you have a movie that does a very nice job of attacking the war on Iraq and how terrifying it is to be a soldier in today's military, and to boot the movie was directed by a woman. The Hurt Locker was going to get picked ten times out of ten. The sad thing is that this is exactly what the Academy claimed they were trying to avoid when they bumped to ten Best Picture nominees. All I know is that in 30 years - hell, in 15 years - no one is going to remember 2009 as the year of The Hurt Locker, they will remember it as the year of Avatar. And all other things being equal, that should count for something. In years where there isn't a standout either critically or at the box office, all bets are off. But that's not what we had here. But is it worth getting worked up over? No, not really.
- Finally, let's take a look at my predictions. There are 24 categories in all, and I correctly picked the winner in 13 of the 24 categories. But five of them are not dedicated to American, full-length theatrical releases - Best Foreign Film, Best Documentary Feature, Best Documentary (short subject), Best Short Film (Animated) and Best Short Film (Live Action). There were two others categories where I hadn't seen any of the nominated films - Best Costume Design and Best Original Song. And while I certainly offered a prediction on those seven categories (I even nailed Best Documentary Feature, as I had heard of The Cove), it was in the other 17 that I felt qualified to offer an opinion. And I correctly predicted 12 of these 17. On my Twitter feed, I correctly nailed six of the seven biggies before the telecast - Picture, Director, Actress, Supporting Actor, Supporting Actress and Animated feature. The only one I missed was Best Actor, and perhaps my opinion would be different had I seen Crazy Heart. In the other 10 categories, I suppose you'll have to take my word for it, but I nailed six. However, my strategy with these 10 categories was fairly simple - vote for Avatar. I voted for Avatar in six of these 10 categories. In fact, three of the four that I predicted incorrectly were categories in which I voted for Avatar, but in which The Hurt Locker took home the statue. In the fourth, Best Original Screenplay, I had voted for Inglorious Basterds. Nevertheless, I feel pretty good about my showing, not a bad job by me. I'll try to do better next year.
- I felt particularly prepared for this Oscar telecast. Not only had we seen all 10 movies nominated for Best Picture (see my brief thoughts on them here), but we had seen many of the other movies that were nominated for Academy Awards, including Julie & Julia, Coraline (which we actually watched just a couple of hours before leaving for my friends house), Harry Potter & The Half-Blood Prince, Star Trek & Transformers: Revenge of the Fallen. But there were still a few we missed that I was putting in my mental queue throughout the night: The Messenger, Crazy Heart, In The Loop, A Single Man, The Secret of the Kells and The Princess & The Frog.
- Speaking of those last two animated movies, I want to see them chiefly to see how it is possible that those two movies were nominated over Cloudy With a Chance of Meatballs, which I thought was phenomenal. The other real big snub to me was Sam Rockwell being left off Best Actor in favor of Morgan Freeman. I didn't see Invictus, but by all accounts it was a) not a good movie and b) Freeman's role wasn't a dominant one. Certainly, it had to have been less dominant than Rockwell's in Moon.
- Carey Mulligan: shoulder-length brown hair > short blond hair, but she's still a stunner either way. And in a bit of an upset, she was at least as attractive, if not more, than Zoe Saldana. Although I think a lot of that had to due with Saldana's dress, which was sort of strange.
- When I first saw Neil Patrick Harris come out on stage, I was thinking, 'Really? Him again?' But he actually did a marvelous job.
- I didn't get the Meryl Streep Hitler memorabilia joke, but I'd like to. Someone help me out with that.
- I thought it was funny how they made deliberate attempts to keep young people invested in the show, both with the jokes in the opening comedy routine from Steve Martin and Alec Baldwin, and then later with the horror montage and by having Taylor Lautner present an award. The funnies Lautner moment though was when they showed him during the touching John Hughes tribute, and he had that "Who the hell is John Hughes?" look on his face. Ah, youth.
- I loved the fact that the guys from Up were wearing the grape soda pins. It's the little things like that that keep Pixar on top year after year.
- I still don't understand why Joe Montana is endorsing Skechers.
- For all the talk of shortening the program, the night was an epic fail from ABC in terms of keeping it in the allotted time. 57 minutes into the telecast only four awards had been handed out. At that point, they rattled off a number of the less popular awards, but it really shouldn't have taken 57 minutes to do four awards. And while steps like adding a backstage cam for extra thank yous and eliminating the best original song performances were a nice idea, they seemed to make up for it with the extra musical number by NPH, the interpretative dance, the extra opening joke time for Martin & Baldwin (I can't call it a monologue because there was two of them. What do you call that?), the Paranormal Activity skit and the horror montage. Some of that was fun to watch, particularly the opening bits, but, I mean don't they have rehearsals for these things? It's unfathomable to me that you could run 32 minutes over by accident. And while maybe that wouldn't have been a big deal a few years back, we now live in the DVR world. At my friend's house, we had to stop watching on two separate occasions in order to go live and tape the next program so that we didn't miss anything that was happening. Not only was that annoying but we also messed up and had one of the awards spoiled for us. Thanks, ABC.
- I can't tell what delighted me more, that women interrupting during the Music From Prudence acceptance speech, or the fact that "Kanye'd" is now part of our lexicon. I think the latter, mainly because I feel bad for the director after reading a little about why that happened, but I still like saying "Kanye'd."
- Charlize Theron could have easily played the "huge b*tch" role in Deuce Bigalow. She's just so tall. And the massive bulls eyes on her boobies weren't helping the matter. (And yes, in case you're wondering, I did just work in a Deuce Bigalow reference into my Oscar post. Boo yah!)
- My friend was very impressed with Demi Moore's outfit until they panned to her feet, and she decried Moore's "stripper shoes." I felt like that had to be mentioned.
- Can we stop pretending that Kristen Stewart is attractive? Because she's definitely not.
- There is a little known rule that whenever dancers are present at an awards show Jennifer Lopez has to be there to either present them or be shown in the crowd during their performance.
- I thought it was interesting that they had Gerard Butler and Bradley Cooper present the award for Best Visual Effects. The Academy knew they had to find a way to keep women invested during the geeky Best Visual Effects award, and they scored big time with that presenting duo. Both my wife and our friend (who's a girl) thoroughly approved. As did I (wink)!
- It was kind of cool that they had people related to the director or lead actor in some way presenting the clips for Best Picture. Right up until they had Jason Bateman present for Up In The Air. Then it was no longer clever, since he was actually in that movie. They couldn't find Jennifer Garner, Ellen Page, Michael Cera, Katie Holmes, J.K. Simmons, Aaron Eckhart or one of Jason Reitman's other previous stars do that clip? Or someone tangential to Clooney, like Brad Pitt or Matt Damon? That just seemed weird that they would go to all that trouble with the other nine movies, and then not with Up In The Air.
- The funniest line of the night outside of the opening comedy routine had to be when Juan Jose Campanella, the director of El Secreto de Sus Ojos quipped, "I'm just glad they didn't consider Na'vi a foreign language."
- Julianne Moore is underrated. Morgan Freeman looked drunk.
- What a ride for Gabourey Sidibe, nominated for Best Actress in her first-ever role, and at the Oscar's she was introduced by Oprah Winfrey, who also was nominated for an Oscar in her first-ever role (though it was for Best Supporting Actress).
- The Best Speech of the night came down to three people - Mo'Nique, Michael Giacchino (who won for Best Original Score in Up) and Sandra Bullock. It was almost a tie between the latter two, and only because they chose different directions with their speech. Both were very touching, but for different reasons. Bullock went the traditional route, thanking those close to her, including her mom. Meanwhile, Giacchino's message to young people that they pursue their dreams no matter what anyone says was very uplifting as well. But Bullock's speech also had lesbian jokes, so she wins.
- You knew that Kathryn Bigelow had won Best Director the moment Barbara Streisand's name was announced. There was literally no other reason for her to be there. She hasn't appeared in a movie since Meet The Fockers in 2004.
- I think that I have a hard time getting worked up over the incredibly political decisions that the Academy makes these days. They're pretty predictable. On the one hand, you have a movie that literally made a billion dollars, and has already been so influential that at least two movies that were slated to be released less than six months after it were converted to 3D in post-production (Alice in Wonderland and Clash of the Titans). Avatar is literally a movie that may wind up saving the movie business and boosting television sales as well. On the other hand, you have a movie that does a very nice job of attacking the war on Iraq and how terrifying it is to be a soldier in today's military, and to boot the movie was directed by a woman. The Hurt Locker was going to get picked ten times out of ten. The sad thing is that this is exactly what the Academy claimed they were trying to avoid when they bumped to ten Best Picture nominees. All I know is that in 30 years - hell, in 15 years - no one is going to remember 2009 as the year of The Hurt Locker, they will remember it as the year of Avatar. And all other things being equal, that should count for something. In years where there isn't a standout either critically or at the box office, all bets are off. But that's not what we had here. But is it worth getting worked up over? No, not really.
- Finally, let's take a look at my predictions. There are 24 categories in all, and I correctly picked the winner in 13 of the 24 categories. But five of them are not dedicated to American, full-length theatrical releases - Best Foreign Film, Best Documentary Feature, Best Documentary (short subject), Best Short Film (Animated) and Best Short Film (Live Action). There were two others categories where I hadn't seen any of the nominated films - Best Costume Design and Best Original Song. And while I certainly offered a prediction on those seven categories (I even nailed Best Documentary Feature, as I had heard of The Cove), it was in the other 17 that I felt qualified to offer an opinion. And I correctly predicted 12 of these 17. On my Twitter feed, I correctly nailed six of the seven biggies before the telecast - Picture, Director, Actress, Supporting Actor, Supporting Actress and Animated feature. The only one I missed was Best Actor, and perhaps my opinion would be different had I seen Crazy Heart. In the other 10 categories, I suppose you'll have to take my word for it, but I nailed six. However, my strategy with these 10 categories was fairly simple - vote for Avatar. I voted for Avatar in six of these 10 categories. In fact, three of the four that I predicted incorrectly were categories in which I voted for Avatar, but in which The Hurt Locker took home the statue. In the fourth, Best Original Screenplay, I had voted for Inglorious Basterds. Nevertheless, I feel pretty good about my showing, not a bad job by me. I'll try to do better next year.
1 comment:
Interesing blog, Paul. A key to understanding John Hughes’ work is grasping the distinction between Generation X and Generation Jones (between the Boomers and Xers). Many of his films were about GenJones characters, and most in the Brat Pack were GenJonesers. This was sometimes confusing, since the same actors sometimes played GenXers (Breakfast Club) and sometimes GenJonesers (St. Elmos’s Fire) within the same year. But given the huge generational context to Hughes’ films, it’s crucial to understand the differences between X & Jones.
Google Generation Jones, and you’ll see it’s gotten lots of media attention, and many top commentators from many top publications and networks (Washington Post, Time magazine, NBC, Newsweek, ABC, etc.) now specifically use this term. In fact, the Associated Press' annual Trend Report chose the Rise of Generation Jones as the #1 trend of 2009. I found this page helpful because it gives a pretty good overview of recent media interest in GenJones: http://generationjones.com/2009latest.html
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